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History of The 'Phil' |
Leicester Philharmonic Choir (LPC), known to its members and followers as the 'Phil', is the largest choir in Leicestershire. The choir performs with professional orchestras, soloists and conductors and encompasses the entire choral repertoire.
Formerly
known as The Leicester Philharmonic Society, the choir was
founded in 1886 with
a membership of around 250 by Herbert Marshall, a Leicester
concert
impressario and piano dealer
who was subsequently knighted and became Lord Mayor of
Leicester.
Throughout
its history, the choir has
made a notable contribution to the development of the British
choral tradition in bringing most of the major choral works to
Leicester and has been associated with a number of
eminent figures in the world of serious music. Dr.(later Sir)
Malcolm Sargent and Leslie Woodgate were early chorus masters of
the choir. |
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The Leicester
Philharmonic Choir is dedicated to the provision of high quality
choral music to Leicester and Leicestershire, and in so doing
recognises an educational obligation as well as providing
entertainment. The choir
members are talented and enthusiastic amateur musicians living
mostly in the communities of the city and the surrounding
county. Choral quality is ensured by the careful
auditioning of prospective members and the re-auditioning of
established members at 3-yearly intervals. The choir has been associated with many internationally famous conductors and orchestras. From 1922 to 1934 Sir Henry Wood was the Phil’s official conductor and it was he who established the tradition of an annual performance of Handel’s Messiah. Sir Henry left the choir in the able hands of Malcolm Sargent, who he had discovered in Leicester, and a fruitful partnership ensued with the Leicester Symphony Orchestra, which Sargent had helped to establish. From 1941 until 1961 Leslie Woodgate was the official conductor. Sir Adrian Boult, Sir John Barbirolli, Sir David Willcocks, Sir Michael Tippett, Maurice Handford and Owain Arwell Hughes have all been guest conductors of the Phil and many have returned at their own request. More recently, the choir has been privileged to be conducted by distinguished conductors such as Leonard Slatkin, Hilary Davan Wetton, Paul Spicer and Jane Glover and by contemporary composers John Rutter and Karl Jenkins.
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Performance of Elijah in the De Montfort Hall 11 May 1985 |
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Guest orchestras include the Queen’s Hall Orchestra, the Halle, the Royal Philharmonic, the City of Birmingham Symphony Orchestra, the BBC Concert Orchestra, the Philharmonia and the London Bach.
The choir has
a wide repertoire. The composers performed range from the
baroque (Bach, Handel, Mozart) to the present-day (Bruckner,
Britten, Stravinsky, Walton and Orff). In its 114th
season (1999/2000) the choir commissioned a new work for the
Millennium. There are also concerts of light music, for example
songs from the cinema and Broadway musicals.
These have included several broadcast performances with
the B.B.C. Concert Orchestra in “Friday Night is Music
Night”.
During a
typical season, which normally runs from September until May,
there is a performance of Messiah in November, two Christmas
concerts in December (one of which is a charity concert) and
three other major concerts, usually held in October and May.
All concerts, with the exception of one of the Christmas
concerts (which is given in St James the Greater Church) take
place at Leicester's De Montfort Hall.
In addition
to these regular performances it is unusual for a season to pass
without the choir being asked to sing in other events.
Such invitation concerts may take place at some venue
other than Leicester, sometimes in collaboration with one or
more other choirs. Recent
examples include participating in a performance of Carmina
Burana in a Henry Wood Promenade Concert at The Royal Albert
Hall, a performance of Beethoven's Choral Symphony with
the Philharmonia Orchestra at Symphony Hall, Birmingham and a
Millennium concert including Walton’s Belshazzar's Feast
and Poulenc's Gloria at The Royal Albert Hall.
Choir members
have also joined other choristers from the East Midlands to tour
The Czech Republic and Metz, Luxembourg and Saarbrucken. Some
members of the choir have also formed a small group that
performs at local events, weddings and funerals. This gives
members a chance to sing in a smaller group and also raises
money for the choir.
The affairs
of the choir, such as planning and arranging concerts, publicity
and finance are managed by a democratically elected committee
all of whom are members of the choir. |